Loud Sounds 136
HARLEY GIRL – jump!
Australian producer and DJ HARLEY GIRL is back with a tune that feels like it came straight out of the golden rave era. The bright synths jump at you, grabbing the whole of your attention, and the hiccuping vocal chops add the elements of fun and humour that's so desirable in this genre.
Australian producer and DJ HARLEY GIRL is back with a tune that feels like it came straight out of the golden rave era. The bright synths jump at you, grabbing the whole of your attention, and the hiccuping vocal chops add the elements of fun and humour that's so desirable in this genre.
Enjoy more music from artists affiliated with label, management and publicity agency Mammal Sounds.
General Wolf Department — FATBOY (Zero sum game PT 1)
The most upbeat, funky and sunny song about "the holders of the keys to nuclear annihilation" you never knew you needed. The lyrics were written 5 or 6 years ago "originally about Trump", but the artist thinks "they're more relevant than ever". Our fav thing about this track is its rich swinging percussive pattern. The vocal delivery is also undeniably smooth. Good stuff!
The most upbeat, funky and sunny song about "the holders of the keys to nuclear annihilation" you never knew you needed. The lyrics were written 5 or 6 years ago "originally about Trump", but the artist thinks "they're more relevant than ever". Our fav thing about this track is its rich swinging percussive pattern. The vocal delivery is also undeniably smooth. Good stuff!
ELIS — Blame You
‘Blame You’ from ELIS is a curious kaleidoscope of atmospheric post-rave with pitched up vox sounding like angels and chill trance-gated patterns, punishing dirty synths and earth-shaking drums. The artists describes the track as "fusing festival trap, baile funk, and techno into one chaotic, dark ride — but making it feel like it was always meant to sound that way.”
‘Blame You’ from ELIS is a curious kaleidoscope of atmospheric post-rave with pitched up vox sounding like angels and chill trance-gated patterns, punishing dirty synths and earth-shaking drums. The artists describes the track as "fusing festival trap, baile funk, and techno into one chaotic, dark ride — but making it feel like it was always meant to sound that way.”