Loud Sounds 148
Brian Jackson — New York City
“New York City” moves with a light, buoyant pulse, riding a springy groove that keeps everything in motion. Even with a dense mix of electric piano, strings, backing vocals, and small details, there’s a clear sense of air throughout, nothing gets weighed down, electronic effects flicker in briefly, adding edge without taking over. The call-and-response vocals give the track its internal drive, lines bouncing between voices and turning the lyrics into something shared.
“New York City” moves with a light, buoyant pulse, riding a springy groove that keeps everything in motion. Even with a dense mix of electric piano, strings, backing vocals, and small details, there’s a clear sense of air throughout, nothing gets weighed down, electronic effects flicker in briefly, adding edge without taking over. The call-and-response vocals give the track its internal drive, lines bouncing between voices and turning the lyrics into something shared.
Deadlynoiz — Andromedik - Calling (ft. Ragdoll) (Deadlynoiz remix)
It is pop in the good sense—direct and instantly catchy. The female vocal hits hard right away, while the synths lock into a classic trance sound that feels familiar but not stale. Then it suddenly flips into a heavy brostep drop, rough and loud, like the track just decided to change the rules on the fly.
It’s barely over two minutes, but it manages to throw you through a couple of moods without dragging anything out. Feels like a fast, slightly chaotic ride—one of those where you get off and need a second to figure out what just happened.
It is pop in the good sense—direct and instantly catchy. The female vocal hits hard right away, while the synths lock into a classic trance sound that feels familiar but not stale. Then it suddenly flips into a heavy brostep drop, rough and loud, like the track just decided to change the rules on the fly.
It’s barely over two minutes, but it manages to throw you through a couple of moods without dragging anything out. Feels like a fast, slightly chaotic ride—one of those where you get off and need a second to figure out what just happened.
Check out more tracks from the artist.
Lunaz Chill – Let The Storm Be Over
Storms come and go. Good music stays. Sometimes music perfectly catches the feeling of inner peace that some of us can retain even in the eye of the storm.
It's exactly what this track does. Peaceful keys and voices are like this core of the main hero, untouched by the storm, and the whirlwind of synths around the spectator are the storm itself.
The track leaves you suspended between calm and chaos, letting the eye of the storm exist long enough to notice how fragile and fleeting that peace feels (I think this idea is conveyed by the violin in the track). It doesn’t resolve neatly—the violin lingers, letting you carry a quiet clarity back into the noise outside.
Storms come and go. Good music stays. Sometimes music perfectly catches the feeling of inner peace that some of us can retain even in the eye of the storm.
It's exactly what this track does. Peaceful keys and voices are like this core of the main hero, untouched by the storm, and the whirlwind of synths around the spectator are the storm itself.
The track leaves you suspended between calm and chaos, letting the eye of the storm exist long enough to notice how fragile and fleeting that peace feels (I think this idea is conveyed by the violin in the track). It doesn’t resolve neatly—the violin lingers, letting you carry a quiet clarity back into the noise outside.
Check out more tracks from Lunaz Chill and his labelmates at Soundtopeople.